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Ulanova at Forty-Six at Last Dances Before a Camera Giselle

Many ways to dance Giselle, but tonight as you

watch you think that she is what art is, creature


who remembers


her every gesture and senses its relation to the time

just a moment before when she did something


close to it


but then everything was different so what she feels

now is the pathos of the difference. Her body


hopping forward


remembers the pathos of the difference. Each

hop is small, but before each landing she has


stepped through


many ghosts. This and every second is the echo

of a second like it but different when you had


illusions not


only about others but about yourself. Each gesture

cuts through these other earlier moments to exist as


a new gesture


but carries with it all the others, so what you dance

is the circle or bubble you carry that is all this.


Frank Bidart, from Poetry, June 2007, p. 171.

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